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Playlist Curators Are the New A&R: The Tastemakers the Industry Is Sleeping On

The people shaping what music gets heard in the streaming era rarely get the credit — or the compensation — they deserve. That's a problem worth talking about.

February 24, 2026
7 min read
The Playlist Panda Team
Playlist Panda mascot as music curator
The New A&R

Not long ago, if an artist wanted their music heard, they needed a deal. And to get a deal, they needed an A&R rep — an Artists & Repertoire executive — to discover them, believe in them, and bring them into the machine. A&R was the gatekeeper. A&R decided who made it.

That system still exists. But something changed around 2015, and the industry hasn't fully caught up to what happened. Streaming didn't just shift how people listen to music. It fundamentally changed how music gets discovered — and with it, who holds the keys to an artist's career.

The answer, increasingly, is the Spotify playlist curator.

What A&R Actually Meant

A&R in its classic form was a listening job. Someone at a label would go to shows, sift through demos, and make judgment calls on which artists had something worth backing. At its best, it was a creative partnership. At its worst, it was a narrow gatekeeping system where geography, connections, and budget determined who even got a seat at the table.

The role required taste, intuition, and a deep love for music. Not spreadsheets. Not algorithms. Just ears and instincts.

Sound familiar? Because that's exactly what a great playlist curator does today.

The Streaming Shift Nobody Fully Predicted

When Spotify launched editorial playlists like RapCaviar and Today's Top Hits, everyone understood the power. Getting placed on a major Spotify editorial could mean millions of streams overnight. Labels started chasing those placements the same way they'd chase a slot on TRL.

What was slower to be recognized was the parallel ecosystem building quietly underneath: the thousands of independent playlist curators who built audiences track by track, playlist by playlist, purely on the strength of their taste.

These weren't Spotify employees. They were fans. Bloggers. Genre obsessives. People who spent their weekends building the perfect indie folk playlist or curating an unbeatable phonk collection — not for money, but because they genuinely loved it. And listeners followed, because the curation was real.

A well-curated independent playlist with 10,000 engaged followers can drive more meaningful streams — and more passionate new fans — than a surface-level placement on a generic algorithmic mix with a million passive listeners. The numbers don't always tell the whole story.

“A well-curated playlist with 10,000 engaged listeners can do more for an emerging artist's career than a million passive streams on a generic mix.”

The Modern A&R Is Called a Curator

Think about what a great independent playlist curator actually does:

  • They listen to hundreds of tracks — most of which don't make the cut — to surface the ones that belong.
  • They think about sequencing, mood, and how one song flows into the next.
  • They maintain a consistent identity that listeners trust and return to.
  • They make judgment calls about which emerging artists are worth spotlighting before anyone else does.
  • They build communities of listeners around shared taste.

That's A&R work. The difference is that curators do it without a label budget, without a staff, and — until very recently — without any meaningful compensation. They do it because the music matters to them.

And artists know this. A DM from a curator who genuinely loves your sound hits different than a form letter from a playlist submission service. When a curator chooses your track, it's not algorithmic. It's a real human saying: this belongs here.

The Recognition Gap Is Real

Here's where the story gets frustrating.

Despite the cultural and commercial role curators play, they've historically operated in near-total obscurity. No industry awards. No panels at conferences. No feature in Rolling Stone. Their work powers some of the most-streamed music on the planet, yet the narrative around "who discovers artists" still centers on label execs, tastemaker blogs, and algorithmic playlists.

And the compensation situation? Even worse.

On many submission platforms, curators are expected to listen to dozens of tracks per week, give thoughtful feedback, and maintain active, growing playlists — often for nothing. Or worse, for a nominal fee that doesn't come close to compensating the time and expertise required.

The artists who benefit most from quality curation often have no idea how much work went into that playlist. The platforms that profit from connecting artists to curators have, in many cases, treated the curators as a commodity — a means to an end — rather than the entire foundation the model rests on.

Why We Built Playlist Panda Around Curators

When we started building Playlist Panda, the question we kept coming back to was simple: who actually makes this ecosystem work?

The answer was always curators. Not the platform. Not the artists. The curators — the people with the taste, the audience, and the dedication to do the work — are the reason the model functions at all.

So we built Playlist Panda around them. Not as an afterthought, but as the foundation.

That means:

  • Curators get paid for reviewing submissions — not as a token gesture, but as a meaningful share of the platform's revenue.
  • Curators maintain full ownership and control of their playlists. We are never in the business of telling anyone what to add.
  • Curators set their own genre preferences and response windows. The platform adapts to them, not the other way around.
  • Curators who join early are recognized as founding members — permanently. When this platform grows, the people who helped build it from the ground up will always be honored first.

The Credit Is Long Overdue

The music industry is slowly waking up to the role independent curators play. Labels now have teams dedicated to Spotify playlist outreach. Managers track playlist placements like radio spins. Artists name-drop curators in interviews. The culture is shifting.

But recognition without compensation is a compliment, not a partnership. And a compliment doesn't pay for the hours spent building a playlist that an artist's career might hinge on.

Curators are doing A&R work. They deserve to be treated like it — with the respect, the visibility, and the financial stake that role has always commanded. The infrastructure to make that happen is being built right now, one playlist at a time.

We're building it. And we're building it around you.

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Join Our Founding Curator Network

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